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You are listening to a Fonds Media Network production.
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On today's episode, I welcome world renowned fashion designer Jeff Garner.
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Jeff is not just a fashion designer, He's also a
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renowned author, visual artist, and documentarian. We dive into his
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latest effort, Let Them Be Naked, a documentary in which
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Jeff dove into the deep end of the fashion histry
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to expose the willing use of harmful chemicals and synthetic
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fabrics that negatively impact our health. I know you'll enjoy
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this conversation and please go watch Jeff's soon to be
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released documentary Let Them Be Naked. To begin with, I
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want to thank you for your time man, that you
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agreed to do this. I found what you were doing
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is very interesting. And what triggered that is one day
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with my wife and I actually saw a documentary on
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pollution and they focused in on clothing being like a
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second leading cause of pollution. And then they took you
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over to Indonesia and they were talking about all the
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pollution there, and then they showed the shores on the beaches,
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you know, and have all the clothes were piling up everywhere,
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and we're just we're just tripping out on that, and
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when I came across your profile and what you do
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in your documentary, I was like, okay, I got to
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talk to I gotta talk to Jeff. You went out
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there and you really dug into it. So I found
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what you were doing intriguing and important. And thanks for
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the link, by the way, I did get to see that,
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and it was very well done, by the way, So
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congratulations that you did a good job on it.
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Thank you, Bud. I appreciate that. Yeah, yeah, it's you know,
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you can tell it's been a lifelong journey. So yeah,
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was in the last minute kind of let's do a
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talk about this.
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So yeah, no, we can tell it was. It was
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pretty well done and very eye opening. And with that
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being said, what so just watching the doc which not
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everybody has seen yet because it's still going through the
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festivals and whatnot. But so I don't want to give
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too much away in there. We'll obviously talk about it,
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but I want to I want to be able to
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let people see it for themselves and then you know,
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they could form their own opinions or you know, conclusions
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based on the evidence that you present and what you did.
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But sure, I.
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Have to ask so you mentioned something about your mother
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and that's what led you to look into the toxicity
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of clothing as in the materials, dies, et cetera. Was
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that the only time that you considered that, or was
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there like any other time in your journey where you thought, Hey,
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this isn't right how we're putting all this stuff on
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our skin and how things are being handled. Was there
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any other moments your life that triggered that or was
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that Was that kind of like the straw that broke
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the camels back and you're like, Okay, there's something wrong.
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Yeah, No, I mean when I first started back in
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two thousand three, Okay, I kind of discovered the toxicity
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when my mom passed. That's what led me down the
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path of like, I have to do a documentary because
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that's the only catalyst or platform to get it out there.
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And it lives beyond us, right, So I could sit
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here and do and I've done over one hundred catwalk
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shows all around the world with US embassies, with speaking engagements,
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ted talks. None of it's going to have an impact
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unless you get it on a screen. And so when
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she passed, I was like, Okay, now's the time, you know,
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because you know, I'm not a filmmaker. Part of me
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was like, well, people believe this, not believe it, you know,
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And so yeah, that's why I did that three hundred
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page book. And then along with the docs, I wanted
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to make sure that nobody he could come alongside say
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oh it's conspiracy theory or oh you know, your science
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isn't good, which Ted Talks tried to do, and I
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burned that scientist out of his job basically because you know,
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the data is there, the science there, it's all been
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you know, peer reviewed, and we did our own studies
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as well. So it's one of these kind of interesting
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subject matters that hasn't got the tension and it's been
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studied because as we say in the documentary that it
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depends who's funding the studies, what kind of information and
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answers the don't want to get out of it, and
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whether they want to disclose it or not, it's up
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to them. But for example, one thing we didn't put
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the doc is that you know, the Army outlawed under
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armour years ago to wear underneath their uniforms, so they
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were the guys were wearing under armor underneath the uniforms. Well,
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the uniforms themselves have pfats in it. It's say, you know,
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it's basically pretending like it's an old slick, so it
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keeps the uniform catching fire, right, and so they would
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wear these under armor underneath, but they outlawed it. Now
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they can only wear a natural cotton because they learned
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that when the guys got into war, and you know,
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the fire happened, et cetera, it made the wounds worse.
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It melts into the wounds.
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That's interesting. And then you also found a study that
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it actually affected performance as well.
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Is that correct? So you know, if you look at
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muscle fatigue, muscle fatigue happens when you don't have oxygen
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oxygen supply, right, So when you have a non permanable
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fabrication i e. Polyester nylon, it doesn't allow any breatheability
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to happen, so there's no oxygen exchange taking place. So
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our skin is beautiful, like we can get you know,
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even water through our skin. It's a beautiful, amazing design.
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So we block that process. We're going to dehydratrate ourselves
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and obviously we're going to cut off our oxygen supply.
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So therefore it's gonna cause of fatigue. And so there's
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a study that's already been done before we got into
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this that basically confirmed you get have a twenty five
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percent you know, fatigue, you know, compared to wearing a
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natural fiber that allows breathabilding, et cetera. So Darren and
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I we did in the film just to test it ourselves,
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and it came out around twenty three twenty four percent.
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So it's really interesting. So it's just, you know, that's
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when you look at science, it doesn't you know, it
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doesn't lie, that's it. But nobody's kind of putting together
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the dots, the synergy of effect. You know, Polyester was
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just invented during the war the animals put into clothing
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soon after because the chemical industries wanted to find a
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new use for it so they could keep selling it.
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And then we didn't question it, and we actually liked
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it because it made our clothing cheaper so we could
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buy more, you know, but we never ever tested what
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happens when you put this on your skin, what happens
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when these ladies stop wearing silk stockings and put on
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Nyland stockings. Right, But then that's while we also included
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the dog. You remember we went back to this, you know,
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professor who spent ten years of our life studying you
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know what happened back in the day with these victims
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of fashion that we're wearing an arsenic dress, you know,
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dyed green?
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Remember that?
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Yeah, yeah, so that sticks out. So we're still using
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those same chemicals. It's it's ironic. So but back then
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you could have you could really see it because London Pairs,
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et cetera, all these fashion hubs actually made the garments
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there in their backyard, so you could see the correlation.
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Now the correlations you can't see because we're manufacturing and
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thermal country we're in you know, India, we're in Indonesia,
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we're in China. We don't see it, you know.
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But you also got to ask a question, do the
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manufacturers care? I mean, does that also just give them
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deniability in the process or plausible deniability, like giving themselves
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some distance because in the end, I the problem I
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see in most any industry, because obviously we're talking about
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healthier is it's crazy to me how large corporation will
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sacrifice the health of the world just for a few
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extra dollars, which is which is nuts and in a way,
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like what you're doing right, you're making the hemp briefs
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and whatnot or undergarments because what you found and studies
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out there and how actually will affect male reproduction, right, testosterone,
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all of that just from having that synthetic material always
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right up against your skin. So that's really cool. But
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is it good to cost that much more for these
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manufacturers to make that shift back to natural organic materials
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or are they just so ingrained with what they got
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now in their operational machinery that they just don't want
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to put the money out to make the switch.
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Yeah, I mean listen, I yeah, there will be a
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let's call it a learning curve where they're going to
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have to revert back to the natural fabris and the dyes.
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But if you recall, like the original like gene was
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hemp denim, and it was the cheap fabric because it
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was easy to grow. Everyone was growing it. So what
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we're talking about is corporate greed. So they want to
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own the fabrication. They don't want you to be able
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to grow at your backyard. They want to own it.
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Call it a name. Let's call it lia cell or tensil.
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You know, like what the hell is that? And then
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you learn it's like made in laboratory, So they own
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that trademark. Therefore they owned the distribution and then they
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own obviously the profits. So will they let go of that? No,
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But what they'll they'll do is introduce new fabrics that
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are like they'll call it bio based, and like, what
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does that mean? So that means they add, you know,
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it's still a polymer, still a polyester, but they use
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some wood pulp instead of it all being black.
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Right, So then for them to actually grow.
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The hemp, and and you know that that's a different
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business strategy because you don't own the distribution. So when
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you develop that hemp, I could grow hemp and sell it,
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and then you could grow hemp and sell it. And
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we're both selling hemp, like we don't own hemp fabric
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and that's the difference. So their profit margins will be different,
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their scale will be different. But I don't think that's
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a bad thing. I think it's kind of like fight club,
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where these things have to blow up and then we
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have to reinvent what the new kind of fashion industry
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looks like using these better fabrications, these dyes. Because the
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trajectory we're going, you know, and I'm not a doom
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and gloom guy, but it's just impossible to keep up with.
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Even designers I know are quitting the business, et cetera
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because it's impossible. Like the fast fashion created this mechanism
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where they're driving that consumer desire to replace the order
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of every weekend. We don't need that in our society.
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You know, we need to design that waistcoat, that shirt
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that we wear for ten years, and it becomes who
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we are in character. So it's affecting, you know, society
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in a way too. Sociology wise, We're people are insecure
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more and more now because they're inside of their true character.
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They don't know who they are because they keep chaining
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themselves every weekend, every trend, every you know. And back
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in the day, i'd see you walking down the street,
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I'd be like, oh, you know, there goes George and
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a scarf because I recognize that scarf. You've had it
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for years, your mom sewed it for you. That's you, buddy.
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But that's not it's a weird, interesting cycle, rim but
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it's all about driving consumers back in the store to
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buy more stuff they don't need. So it's an addiction
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cycle we have to break and then we can bring
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in back that natural fabrication and die process because we're
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not having to output as quickly and as much as
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the synthetics allow them to do it. And that's it.
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It's like shelf syndrome. You build a shelf, people are
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going to fill it. That's just human nature. So we
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make the synthetic stuff illegal because it should be, because
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it's a help issue and toxic and causing cancer. Then
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we're there. They'll be forced to use better ingredients. And
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it's happened in the food industry, it needs to happen
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in fashion because yeah, and that's why we're connecting. Like
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what you put on your body goes into your skin,
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so it is a liability.
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It's funny brought up the food industry because I did.
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I actually did an episode. I did a deep dive
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on that and finding all the dies, all the additives
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that are banned in the EU and what is acceptable
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in America and how our FDA is just really not
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looking out for our best interest.
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Now.
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It's really ridiculous. And you know, brands here when they
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have to ship out to the UK or anywhere else,
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that they have to actually remake that package and the
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ingredients to meet those standards overseas, and that's the only
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time that they'll be forced to do it. But yet
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they can't take that packaging. Let's say that's going to
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the UK and then just say, okay, we're also good
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to distribute to everybody in America. They would rather just
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keep those toxic, carnful chemicals in our foods because it's
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just cheaper, which is ridiculous. And I never understood how,
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you know, and you're right when it comes even even
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with clothing, they've always catchphrase, it's just marketing, you know,